‘To Kill A Mockingbird’ Broadway Review: Aaron Sorkin, Jeff Daniels Deliver An Atticus For Our Times

When Scout, Jem and Dill take the stage in Aaron Sorkin’s To Kill a Mockingbird, they’re not rolling a tire down the sidewalk or peering into the knothole of some old oak tree. The children — played, with no excuses offered or needed, by adults — appear in what seems to be an empty, dilapidated building, maybe an old courthouse fallen into neglect. Justice itself has become a thing of memory, its paint peeling. What really happened that night Bob Ewell died, wonders Scout…

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